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Charla Y. Gaglio |
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| Education | |||
| 2000 | Ed.M., Graduate School of Education, Arts in Education Program, Harvard University. Cambridge, Massachusetts. | ||
| 1999 | M.F.A., Fibers, Colorado State University. Fort Collins, Colorado. | ||
| 1996 | Teacher Licensure, K - 12 Art, Colorado State University. Fort Collins, Colorado. | ||
| 1982 | B.A., Fine Art - Painting, Colorado College. Colorado Springs, Colorado. | ||
Additional Studies |
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| 2004 | AP Art Studio Certification. Advanced Placement Summer Institute, Nova Southeastern University. Ft. Lauderdale, Florida | ||
| 2000 | AP Art History Certification. Advanced Placement Summer Institute. The High Museum. Atlanta, Georgia. | Exhibitions |
2004 | Vincent William Gallery Inc. Representation. St. Pete Beach, Florida. |
| 2004 | The Nature of Art. Representation. Passe-a-Grille, St. Pete Beach, Florida. | ||
| 2004 | Something Different from Around the World. Representation. Tampa, Florida. | ||
| 2004 | Art Festival Beth-El 31st Annual Show. January.Oil painting. Invitational exhibition. St. Petersburg, Florida. | ||
| 2003 | Gasparilla 33rd Annual Festival of the Arts. March. Arts festival. Tampa, Florida. | ||
| 2003 | Art Festival Beth-El 30th Annual Show, January. Invitational exhibition. St. Petersburg, Florida. | ||
| 2003 | Gallerie des Artes. January. One-artist show, "The Eyes Have It." Sarasota, Florida. | ||
| 2002 | Gallerie des Artes. Representation. Sarasota, Florida. | ||
| 2002 | Gallery Enormous. Representation. St. Petersburg, Florida. | ||
| 2002 | Art Festival Beth-El 29th Annual Show, January. Invitational exhibition. St. Petersburg, Florida. | ||
| 2001 | Bayeux Gallery. Invitational exhibition. Denver, Colorado. | ||
| 2001 | Salt Creek Galleries. Juried exhibition, "Women in the Arts." St. Petersburg, Florida. | ||
| 2001 | Ambiance Galleries. Husband and wife show, "Interior Reflections." St. Petersburg, Florida. | ||
| 2000 | The Arts Center. Boutique. St. Petersburg, Florida. | ||
| 2000 | Ambiance Gallery. Representation. St. Petersburg, Florida. | ||
| 1999 | Direction Gallery. One-artist show, thesis exhibition. Fort Collins, Colorado. | ||
| 1997 | Glass Gallery. One-artist show, "Current Work." Fort Collins, Colorado. | ||
| 1997 | Curfman Gallery. Juried exhibition. 25th Annual Creative Arts Symposium. Colorado State University. | ||
| 1997 | Fort Collins Museum of Contemporary Art, Main Gallery. Invitational exhibition. Fort Collins, Colorado. | ||
| 1996 | Glass Gallery. One-artist show/installation, "Playground Echoes." Fort Collins, Colorado. | ||
| 1996 | Glass Gallery. One-artist show/installation, "Echoes." Fort Collins, Colorado. | ||
| 1996 | Curfman Gallery. Juried exhibition. 24th Annual Creative Arts Symposium. Colorado State University. | ||
| 1991 | SURTEX 91. Trade show and exhibition - textiles, Jacob K. Javits Convention Center. New York, New York. |
Reviews/ Press Releases |
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| 2001 | Gallery Guide. May 2001. Southeast. "One Person Shows." | ||
| 1992 | The Colorado Springs Business Journal, "Textile Design for a Global Market." | ||
| 1992 | Mobilia Magazine, "Textile Design in America." | ||
| 1991 | The Wallpaper, "Spotlight on Designers." | ||
Catalogues |
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| 1997 | 25th Annual Creative Arts Symposium, Colorado State University. | ||
| 1996 | 24th Annual Creative Arts Symposium, Colorado State University. | ||
| 1991 | Current, Inc., "Best Kept Secrets," Colorado Springs, Colorado. | ||
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Artist's Statement |
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"A long history of the cloth's utility reminds us that a fabric takes on traces of the human existence while at the same time it remains separate from it." - Ewa Kuryluk, The Fabric of Memory "The body is a highly contested site - its flesh is both the recipient and the source of desire, lust, and hatred. As a pawn of technology, it is sacred and sacrificial, bearing the politics of society and state. The body is our common bound, yet is separates us in its public display of identity, race, and gender." - William A. Ewing, The Body My paintings explore the skin and historical associations of layered cloth, and combine these with the female face and body as subject matter. Often cut and woven from two separate paintings and then "nailed" to the support canvas, I also reconsider the traditional forms of oil painting and presentation through my work. I think of my images as captured moments; thoughts and feelings "faced" and rendered through time-intensive processes; utilizing the female figure as the simultaneous site and embodiment of canvas and "2-D vessel", decorative surface and interior reflection. Eyes and the concept of sight - viewing, seeking both in the exterior and inner worlds through the often described "windows of the soul" - also play significant roles in my paintings. Finally, the familiar icon-like format of many of these works is periodically challenged by raw, unfinished edges. It is with these ideas in mind that I create my work, subsequently inviting viewers to create new, personal meanings from these traditional shapes, and symbols. |
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| © Charla and Joël Gaglio. No images or information may be reproduced or transmitted or copied. All rights reserved ® |